Compare and Contrast How the Main Protagonists Experience Being Outsiders Within Their Respective Societies.

discriminate and contrast how the main protagonists go steady world come inlanders at heart their respective societies. The experience of world noncitizens is explored by William Shakespe ar in Othello, Emily Bronte in Wuthering Heights and Robert br hold in his Dramatic Monologues. Shakespe atomic number 18 explores the theme of alienation through a eccentric considered an outsider by the ball club in which he lives in. Similarly Emily Bronte explores Heathcliff and the obstacles he faces at Wuthering Heights. brownings Dramatic Monologues deck the minds of psychotic person rooters who are every possessive and delusional.In all the three texts the outsiders are rejected and are to an conclusion responsible for their own position in the society. turn some are underprivileged others deprive and almost punish themselves for non being accredited. The causes within the three texts are undoubtedly affected by their severalty and quality ostracised by those who surrou nd them. In Wuthering Heights, Heathcliff is an outsider because he is never authorized as part of the Earnshaw family. He is described as a dyed gypsy and this pr evets him from being acknowledged as a foster fellow to Catherine and Hindley.Mr Earnshaw was the only slip Heathcliff could trust, however Hindley began to terrorise and mistreat him which do him expression unwanted. He labelled him as a beggarly interloper and an hob of Satan. However, the most eccentric tantrum of Heathcliffs caliber is his image. He is referred to as simply Heathcliff and does non carry the Earnshaws last name, as he is not blood related. Furthermore the name Heathcliff is a name of a deceased son of Mr Earnshaw, thusly Heathcliff is seen as an inferior character who is deprived of a sense of identity.Similarly in Shakespeares Othello the protagonist is a black military man, provided unlike Heathcliff he is considered to be a noble and respectful soldier amongst the Venetian people. Othel lo seems to be proud of his hereditary pattern and his achievements and although he is a foreigner, he is seen as a useful character that tramp bring success to the city of Venice. From the beginning of the play he is referred to as a moor and thick lips by both Iago and Roderigo. This colorthorn point that Iago and Roderigo are simply jealous that an outsider send away ask for so much recognition from their own people. some(prenominal) Othello and Heathcliff are labelled for their differences by characters that see no place for them in the community. Othellos vocation is not the only aspect of his life that is envied by characters his espousal to Desdemona evidently causes riddles with her father, Brabantio, just also fuels Iagos jealousy and detest. Brabantio accuses Othello of enchanting his daughter and using witchery to lead her astray as she would not have got loved him voluntarily. It seems opposed to allow Othello to fight the citys sieges, but oppose his marri age to a Venetian woman.Othellos marriage to Desdemona grants him a theoretical citizenship, where he would have to be recognised as a Venetian. Othello is a ruling figure within the society and it is patent that he favours it above whatsoever nation. In spite of this, Brabantio, and Iago in particular, feel that this is an invasion of their country. His sharpness impedes him from being an equal and although he is seen as a virtuous military leader, society would not accept his relationship with Desdemona.Likewise Heathcliffs relationship with Catherine cannot be accepted by society, but unlike Othello, Heathcliff is not a respected or useful member of society thus society cannot tolerate soulfulness they wont bene total from. Robert Brownings Dramatic Monologues illustrate the minds of characters that become psychotic and aim to possess their buffers. My move Duchess presents a artful and heartless Duke, who is completely made redundant by his wife. Browning presents the Duk e as a character who lacks remorse and whose jealous nature introduce us to dark and sinister qualities.He portrays his character as naive and ignorant even after the death of his wife. Brownings choice of not allowing the Duke to damn himself for his failed marriage and realising that he is an outsider builds on the image of a psychotic character that will not rehabilitate any time soon. Heathcliff also does not accept that he is in the wrong. I do hate him- I am wretched I have been a lounge about Isabella realises the extent to which her naivety has played a role in Heathcliffs evil intention. Heathcliff on the other travel by his not regretful for the government agency he used Isabella as a means to an end and his final cause to terrorise Hindley and Edgar.The Duke has not acquire how his actions had an impact on his wife, not mentioning that he himself killed her. He is not sorry for the way he behaved but Isabella on the other hand has realised her wrong doing and is a t this point regretful. Both Heathcliff and the Duke continue to live life on the outside and have not taken the opportunity of renewing themselves to be accepted. The Duchess rejected the Duke by ignore the expensive gifts he brought for her. Heathcliff too is rejected by Catherine and later by Isabella. How very black and cross you lookAnd how- how funny and grim hardly thats because Im used to Edgar and Isabella Linton. Catherine has begun to distance herself from Heathcliff because shes realised that there would be a possibility of the two living as beggars, while life with Edgar will aid Heathcliff to rise. He therefore no longer had someone on the same wavelength as him. This covert motive Catherine had, which she believed would reward both her and Heathcliff, demonstrates Catherines naivety to the amicable coordinate of the Victorian era and the limitations set by society.The narrator in The Last Ride Together is also rejected by his mistress but in contrast his acceptan ce of this makes him dissimilar to the Duke and Heathcliff. In this verse Browning portrays human success and the limitations people face. Although the buffers life has been meant for fails, he has accepted his fate with his mistress and so accepts his failure of not being able to get her as part of his success. Othello on the other hand has major success in wooing Desdemona which could suggest that the rejection and success these characters adopt could reflect the extent to which they are seen as outsiders.Porphyrias raw sienna is visualized as an outsider like the Duke but the narrator in this poem is far more psychotic. Brownings use of language indicates that Porphyria is from a higher class than her lover gay feast, dripping garb and shawl, soiled gloves paints an image of a wealthy and independent woman. There is a clear issue of class and wealth in both of these Browning poems and it seems to be the root of the problems faced by the lovers. In Wuthering Heights specie and power is also a major issue which causes the unfortunate events endured by the protagonist.When Heathcliff returns to the Heights as a gentleman in dress and aspect rather than a scavenger, there is a rise in his wealth and power. Although he abuses his new status to fulfil is evil intention, he has adjusted and it now appears that he is compliant. Unlike Heathcliff, Porphyrias lover doesnt conform so that he feels up to par to Porphyria, instead his jealousy of her escalates into murder. wealthiness and class are important issues to address when considering the position of an outsider. Othellos otherness is overlooked because his power and status dictates his class and wealth and his overall reputation.On the other hand the Duke believed that his wealth was enough for his wife. His psychopathic nature separated him from the Duchess, limit her liberty and autonomy. The Duchess position as a substandard wife could have scourgeened the Dukes role as her husband and made her a l iability to his wealth and reputation. In comparison, Heathcliff is also a threat and his otherness makes him, not only an outcast but a menace to the schematic system. Edgar Linton dislikes the fact that Heathcliff is interfering with the already constructed and workable social constitution by behaving in a way that suits him.Edgar Lintons reaction to Catherine welcoming a runaway servant as a brother proves that his presence can cause conflict within the family unit as well as the community. I shall be as squashy as I interest and I like to be dirty, and I will be dirty. Bronte uses particular language to display a noncompliant and inflexible character whose principles dominate his logic. The semi colon and comma suggests that Heathcliff is difficult to convince both Catherine and himself that his decision to remain an outsider is the right choice. Desdemona is equally a threat to Othello as she is able to tarnish his reputation which defines him as a man.Iago has made Othello believe this but it is in fact Iago who feels threatened by Othellos success and achievements. Iago may not want to rise in social superiority but seeing someone being regarded as an just character makes him resentful. The Laboratory describes a psychotic and revengeful female character whose husband favoured Pauline and Elise, other women besides her. Browning uses religious references to establish an image of the narrator before she became a deranged outsider. Empty church, to require God in, the narrator has lost her faith in Christianity and her device to kill proves this.Killing goes against one of the Ten Commandments, Thou shall not kill. No proper Christian will contemplate murder knowing that it is against their religion. This could suggest that the narrator has lost her faith in God after losing out on love. Christianity also says Thou shall not commit adultery and her ex lover broke this commandment. The narrator here is irrational as she is trying to make two wrongs a right because despite her ex lover committing adultery her plan to kill will not make things right. Shakespeares use of imagery draws attention to the division between black and white or good and bad between Othello and Desdemona.When Othellos views begin to jibe Iagos, he becomes cynical about women and relationships. His race becomes more of a problem and Desdemona is referred to as that cunning whore of Venice instead of a fine/ join woman. Her name that was fresh is now begrimed and black as mine own face, Desdemona is now seen by Othello as an outsider as much as he is seen as an outsider by Iago. He views himself and Desdemona negatively due to his presumption of her infidelity. Desdemonas actions have reflected on Othello and this has made him almost blames himself for being an outsider and particularly for being black.Iago confident(p) Othello that Desdemona would want somebody more like herself, white, middle class and contumaciously someone who can be acknowledged by h er father as an appropriate suitor. It could be said that he views himself and Desdemona negatively because he doesnt fit the requirements Iago created and made him believe. The narrator in The Laboratory however does not perceive herself in a negative way. I am here she thinks she has outsmarted her ex lover and his mistress but has failed to realise that she is an outsider and her actions are those of an immensely psychotic and jealous person.This has made her see her ex lovers relationship with his mistress as negative instead of apprehensiveness that she will soon be in the wrong too. Porphyrias lover is similarly in denial as he has convinced himself that his actions can be justified. No pain felt she this quote shows that the lover is inexorable his actions have not caused any problems. I am quite sure enough she felt no pain, here he tries to manipulate himself into intellection his actions were correct by eliminating any doubts in his mind. Iago greatly benefits from thi s tactic by using it on Othello but Porphyrias lover is trying to keep back himself and his mind.He has an inability to differentiate right from wrong as well as not being able to distinguish his fantasy from reality. Browning presents this as the beginning of the poem by using pathetic fallacy and prosopopoeia to describe his jealous and irrational character,tore the elm-tops down for spite. Browings use of verbs such as awake and vex compares human qualities to that of nature, the roam destroys the elm-tops but Porphyrias lover goes further than this and commits murder. The setting is personified to reflect the lovers characteristics and so the coming events are somewhat foreshadowed.To conclude, the main characters in all the three texts experience alienation within their respective societies. While for some it is due to their psychological impairments others do not quite fit in the social establishment. They are expected to keep within their boundaries as they may cause distu rbances to the community. It can be suggested that the outsiders own morals and values are being pushed aside which may effect them to conform. Bibliography Spark notes York notes advance Othello and Wuthering Heights www. elitenotes. com Work count 2,176