The Genius of Klassik Komix :: Klassik Komix Essays

The flair of Klassik Komix     In Klassik Komix Steven Millhauser uses the well-kn testify poem, The Love Song of J. Alfred Prufrock by T. S. Elliot, to create an go-between between complex poetic prose and the simplicity of the authoritative comic platter. He uses descriptive language to beautifully capture the importance a writers forte in the literary interpretation of his/her figure out while also demonstrating his get laid for the imagination.    The original form of The Love Song of J. Alfred Prufrock is a poem, made up of poetic prose. Prose can vary in lexical makeup, which is decided by the writer, but usually consists of descriptions of subjects that allude to, and ar analogous of, the underlying thoughts of the writer. This gives the lines a sense of vague beauty that leads the referee to interpret meanings in his/her own mind in contrast to simply spelling out the meanings. metrical composition has the ability to evoke upon the read er a sense of reflection and stocky thought in an effort to understand the message that the writer is delivering.     The classic comic book is a polar opposite of the complex disposition of poetry. The comic book is designed for the younger reader and possesses a simplistic nature that allows the creator to use visual media combined with short create verbally dialog to tell a story. The simulacrums in a comic book are an integral part of the makeup of a comic book. The pictures allow the creator to portray the protagonist and antagonist in a bureau that is common to all readers. This however inhibits the use of imagination by the reader. The pictures are all an artists interpretations of the actions and settings that make up each scene. When a person reads descriptive text with no pictures, it allows the reader to build a mental picture of each scene that is unique to his/her own personality. The comic book does non allow for this expressiveness in its prefabricated structure.    Millhauser elegantly combines these two literary vehicles in his work Klassik Komix in a way that simplifies the form but still allows the reader to use his/her mind to draw its own pictures. In the room women bonk and go / Talking of Michelangelo(stanza 3).